by Karl
Last Wednesday morning I went to hear a public dress rehearsal of the Prague Symphony Orchestra in Smetana Hall at the Municipal House. Walking away afterwards, I noticed a poster on a lamppost and—WHAT?! I’m not sure whether I first recognized the picture or the name, but it was indeed Ben Zander conducting the
Youth Philharmonic Orchestra from New England Conservatory.
That’s my youth orchestra (1982-85). In my day its name was Youth Chamber Orchestra, but that was about the time that Zander started having the group play things like Mahler and Bartok, so calling it a chamber orchestra was getting to be ridiculous.
In 1985 we played Bartók’s Concerto for Orchestra. Zander wisely told us to get hold of a recording and listen to it before rehearsals started. The first time I heard it, I was crushed. It didn’t sound sweet, like the Brahms, Mendelssohn, Mahler, Beethoven and Mozart I was used to playing with the orchestra. There were so many harsh sounds and discordances, and I was not at all looking forward to spending the season working on that noise. But as I listened more, I started to hear it differently, and as we rehearsed it, it really made sense.
I had the great pleasure of being second trumpet to
Rich Kelley. Many of the kids in the orchestra (like me) were from well-off suburbs of Boston, but Rich was from the Jamaica Plain neighborhood of Boston itself, and if I remember the story right, he started taking lessons with a clarinet teacher, because that’s who was in the neighborhood. After three years, he was good enough to win the Boston Symphony Orchestra’s concerto competition for high school students. After that, the principal trumpet player of the Boston Symphony started giving him lessons for free. At first I was disappointed not to be first trumpet—it was my last year in the orchestra, and part of me felt like I had earned it—but Rich was much better than me, and anyway, doing a good job on the first-trumpet part of the Bartók was not quite within my abilities. I was comfortable playing second, and I hope I didn’t make the section sound bad for Rich.
(On my left, third trumpet was covered by
Bijon Watson, who, like Rich, has gone on to do a lot more with his trumpet than I have.)
In Spring, 1984, we toured Austria and Poland. In Vienna, we played Mahler’s Fourth Symphony in the Musikvereinsaal, where Mahler himself had stood at the podium as the conductor of the Vienna Philharmonic.
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| I remember this view (though I found the picture here). |